THE EYE MUST TRAVEL

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A NEW YORKER'S REVIEW: ISAMU NOGUCHI MUSEUM

Isamu Noguchi was a prolific sculpturist, designer and creative thinker whose work led beyond many of the other artists during his time. His creations contextualized and gave homage to his heritage as a Japanese-American at a turbulent time in American history. In this post, I explore his studio and museum in Long Island City, Queens.

Inner courtyard.

The museum begins with a large indoor/outdoor sculpture space.

The Museum is located at the site of his former studio and home, and is the first and only museum to be designed by a working artist in his lifetime. When purchased, Noguchi worked with several architect and design friends to create spaces to house his work. In many ways, his approach was backwards: instead of a physical structure created to house the works and exhibitions, a more holistic approach was taken. The art was considered first, with the space then configured around the pieces, demonstrating the connection that is possible when design seamlessly flows from one field to another.

Pieces on display demonstrate a simple, yet refined design approach.

The exhibition begins in a large gallery environment. The sculptures are scattered, and large in scale. Clearstory openings and grates to the outside world lend the ear to the sounds above, connecting with the surrounding atmosphere, allowing visitors to immerse themselves in both the interior and exterior experience. The area expands, leading to a large inner courtyard that provides sanctuary from the sun. Decorated with several exotic trees and plants, sculptures are mixed in throughout; at times, visitors are unsure of which is a seat, or simply another beautiful piece of art.

I felt a deep connection to the space. The courtyard and gallery space were my favorites: the configuration of space, the continuation of strong linear shapes and forms created a theme present throughout, using simple materiality choices that allowed the art to speak for itself. The museum continues on connected floors, with the inside exhibits just as striking. We visited on a Saturday in June; there was not quite too many people, and we were free to wander without interruption or crowds.

Insider tip: Afterwards, make a stop at Gordo’s Cantina and order any quesadilla ; you’ll thank me later.

Thanks for reading-I hope you enjoy the trip out there as much as I did!